Episode 167

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Published on:

26th Feb 2018

WCA #167 with Billy Decker

Billy Decker was born on August 28th, 1967, and raised in Nebraska.  He got a BS in criminal justice at the University of Nebraska and then went on to be Salutatorian at Full Sail Center for the Recording Arts in 1992. In 1994, Decker moved to Nashville where he’s been working ever since. He’s mixed 14  #1s to date – most recently, Parmalee’s “Carolina”. Billy has mixed for Sam Hunt, Darius Rucker, Chris Young, and Jaime Lynne Spears. Decker also mixed George Jones’s last album before he died. Billy Decker made history in July of 2014 when Sam Hunt became the most added new artist of all time. Decker works in a unique way. “I mix really fast. Most of my mixes are finished in between two and three-and-a-half hours. To be able to do this, I use a lot of templates in Pro Tools. Instead of spending two hours EQing a kick drum, I can do it in 30 seconds, because I’ve set up templates for the album that outline all the basic parameters for each instrument. Then, I can focus on fine-tuning and bringing levels up and down—working on the entire mix, rather than focusing on individual adjustments. It’s a good way to work. It’s real fast, efficient, and, most importantly, it’s fun.”

About this Interview:

Billy Decker joins me to talk about mixing hit songs in two to three hours, beating cancer and keeping it under wraps, the yearly slump, Facebook networking, endless revisions and mixing in the box. -EnjoyMatt

Show notes and links:



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About the Podcast

Working Class Audio
Navigating the World of Recording With a Working Class Perspective
Peel back the glamour of the professional recording world. Guests from the world of audio for music, film, games, restoration, and more share their insights on how they made their journey, how they survive, their advice on the real things including wins, losses, working with other people, money, and career advice. 
Hosted by audio engineer Matt Boudreau.
The Working Class Audio Podcast - Navigating the World of Recording with a working class perspective.
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